๐๐ฎ๐๐ต๐ฒ๐ฟ ๐ง๐ฒ๐ฑ โ ๐ง๐ต๐ฒ ๐ข๐น๐ฑ ๐๐ฟ๐ฒ๐ ๐ช๐ต๐ถ๐๐๐น๐ฒ ๐ง๐ต๐ฒ๐ณ๐
๐ ๐ฑ๐ช๐ต๐ค๐ฉ-๐ฑ๐ฆ๐ณ๐ง๐ฆ๐ค๐ต ๐ฉ๐ฐ๐ฎ๐ข๐จ๐ฆ, ๐ค๐ข๐ฑ๐ต๐ถ๐ณ๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ ๐ธ๐ช๐ต, ๐ค๐ฉ๐ข๐ณ๐ฎ, ๐ข๐ฏ๐ฅ ๐ด๐ฉ๐ฆ๐ฆ๐ณ๐ข๐ฃ๐ด๐ถ๐ณ๐ฅ๐ช๐ต๐บ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐ฐ๐ณ๐ช๐จ๐ช๐ฏ๐ข๐ญ ๐ธ๐ช๐ต๐ฉ ๐ณ๐ฆ๐ฎ๐ข๐ณ๐ฌ๐ข๐ฃ๐ญ๐ฆ ๐ฑ๐ณ๐ฆ๐ค๐ช๐ด๐ช๐ฐ๐ฏ.โ โ Boston Globe
From start to finish, this was a masterclass in comedic tributeโa film bursting with laughter, sharp delivery, and an obvious devotion to the original. The cast didnโt just play their parts; they became them, studying every word, movement, and quirk of the real episode with remarkable precision.
Their dedication extended beyond performance; they painstakingly recreated the set, even building an authentic shop within the very kitchen where The Snapper was filmed. If there were an award for the best replication of an original, this would be the undisputed winner. Watching it on the night, the detail was impressive, but seeing it side-by-side with the original while writing this review? The level of accuracy in costumes, props, and mannerisms is astonishing. Iโve included some pictures to bring the similarity to life.
The camaraderie among the cast was unmistakableโyou could tell they had as much fun making this film as the audience had watching it.
Comedy is often overlooked when it comes to Oscar victories, and so it proved here. But while it may not have taken home the top prize, it won where it mattered mostโwith the audience, who lapped up every moment. It was no surprise they won Best Comedy Scene, though the real challenge must have been deciding which scene to honour.
๐ ๐ฆ๐ฐ๐ฒ๐ป๐ฒ ๐๐ผ ๐ฅ๐ฒ๐บ๐ฒ๐บ๐ฏ๐ฒ๐ฟ: ๐ง๐ต๐ฒ ๐๐๐ ๐ฆ๐ฐ๐ฒ๐ป๐ฒ
One moment in particular will live long in the memory.It started with Fupping Man (Bernard Reilly) and Fupping Woman (Rachel Doherty), who were outstanding as they roared their threatsโRachelโs furious โHit him, Frank, or Iโll hit him for you!โ was pure gold. Just as the tension hit its peak, they called for Mr. Benson. Enter Gordie Miggin, head poking out of a multicoloured childrenโs hut, megaphone in hand, demanding, โWhatโs going on here?โ The audience barely had time to recover from their laughter before he leapt into action, executing a full commando-style manoeuvre toward fork-wielding Ted. His approach, complete with a mid-air somersault worthy of Simone Biles, was comedic perfection.
๐ง๐ต๐ฒ ๐๐ฎ๐๐ โ ๐ ๐๐ถ๐ป๐ฒ๐๐ฝ ๐ผ๐ณ ๐ฃ๐ฒ๐ฟ๐ณ๐ฒ๐ฐ๐๐ถ๐ผ๐ป
Every lead character embodied their real-life counterpart to a tee.
Fr. Ted (Declan OโConnor) โ A tribute worthy of Dermot Morgan himself. His hair was the perfect shade of grey, his comedic timing impeccable, and his interactions with the rest of the cast kept us eagerly waiting to see what predicament heโd land himself in next.
Mrs. Doyle (Marian OโGorman) โ A class act. Not only did she capture the beloved housekeeperโs manic energy, but her performance elevated the entire production. Had she been in the original Father Ted, she would be just as quoted and beloved as Pauline McLynn.
Fr. Dougal (David Cully) โ No stranger to โacting the maggot,โ Cullyโs portrayal was
outstanding. Every nuance was nailedโthe rolling eyes, the clueless expressions, the brilliantly daft body language. He didnโt just play Dougal; he was Dougal.
Fr. Jack (Padraig Gravin) โ A show-stealer for many in the audience. With wild, dishevelled hair and an uncanny resemblance to the real deal. His gravelly, chaotic delivery was spot-on, and whether his lines were strictly to script or not, they landed perfectly. You could tell he was having an absolute ball.
๐ง๐ต๐ฒ ๐ฆ๐๐ฝ๐ฝ๐ผ๐ฟ๐๐ถ๐ป๐ด ๐๐ฎ๐๐
Fr. Damo (John Mulraney) โ The rebellious wild-child priest, played with just the right balance of cockiness and mischief. Every flick of the hair, every cigarette toss, every swaggering bob of the headโit was all there.
Fr. Frost (Brian Gravin) โ A brilliant addition, playing the strict and principled priest determined to hold the free-spirited Fr. Damo to account. Gravin brought a commanding presence to the role, delivering Damo straight to Mr. Benson when he realised he had stolen the whistle. His exasperation as he tried to rein in Damoโs wild antics was spot-on.
Mary (Sue McEvoy) & John (Ciaran Meleady) โ The classic water-bucket scene was played to perfection. The immediate shift from violence to pleasantries before snapping right back to a shotgun fight was executed brilliantly. Their physical resemblance to the original characters made it all the better.
Sergeant Hodgins (David Reilly) โ Looked every bit the part, from his uniform to his well-worn moustache, and played the role of the local guard with effortless ease.
Larry Malone & Jamie Reilly โ The ultimate troublemakers, up to all sorts of mischief alongside Dougal and Damo. Their on-screen chemistry was seamless, adding to the chaotic energy.
๐๐ฎ๐ฟ๐ฟ๐ ๐๐๐ณ๐ณโ๐ ๐๐ต๐ฒ๐ฐ๐ธ๐ฝ๐ผ๐ถ๐ป๐ ๐ฆ๐ฐ๐ฒ๐ป๐ฒ โ ๐ฃ๐ฎ๐ถ๐ป๐๐๐ฎ๐ธ๐ถ๐ป๐ด๐น๐ ๐ฅ๐ฒ๐ฐ๐ฟ๐ฒ๐ฎ๐๐ฒ๐ฑ
A minor moment in the episode but a priceless one in this adaptation.
Larry (David Thornton) handled his fateful phone call with carefree charm, while Richard Bradley (Fr. Billy Williams) and Eoin OโConnor (Fr. Todd Unctious), standing petrified beside him, delivered a masterclass in silent comedy. As the fear on Bradleyโs face built to breaking point, he made a desperate bolt for freedomโa sprint with the urgency of a man running for his life (which, in fairness, he was). His bid for escape ended abruptly, gunned down by Pat Farrell in a moment of tragedy.
What made this scene even more special was the extraordinary effort that went into getting every detail right. The roadblock was meticulously reconstructed, complete with an era-perfect 1992 red Ford and an army truck to match the original. Itโs this kind of attention to detail that elevates the film beyond mere imitationโitโs a perfected recreation.
Checkpoint guards Jack Dalton, Freddie Pollard, and Aaron Gravin rounded off the scene, completing a moment that was more than worth the effort it took to pull off. Aaronโs appearance meant three generations of Gravins starred in the filmโa special moment for the family that will be cherished forever.
๐๐ถ๐ป๐ฎ๐น ๐ง๐ต๐ผ๐๐ด๐ต๐๐
This was more than just a comedy filmโit was a labour of love. A tribute to Father Ted that didnโt just mimic but honoured the original. Every performance was a delight, every detail meticulously crafted, and the audienceโs reaction said it all. They may not have taken home the top Oscar, but in the hearts of the audience, this was a five-star winner!

Gordie Miggin

David Cully

Johnny Mulraney

Marian OโGorman and Dec OโConnor

Dec OโConnor

Road block scene

Jack Thornton and Richard Bradley

Pat Farrell

Johnny Mulraney and David Cully

Johnny Mulraney, David Cully, Jamie Reilly and Larry Malone

Jamie Reilly and Larry Malone

Rachel Doherty and Bernard Reilly

Rachel Doherty, Dec OโConnor and Bernard Reilly

Dec OโConnor

Gordie Miggin

Gordie Miggin

Ciaran Meleady

Bucket scene

Ciaran Meleady and Sue McEvoy

Johnny Mulraney and David Cully

David Reilly and Gordie Miggin

Johnny Mulraney and Brian Gravin

Padraig Gravin

Eoin OโConnors, Jack Thornton and Richard Bradley
ย

David Cully, Marian OโGorman, Padraig Gravin and Dec OโConnor