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A Review of Father Ted

By Susan McEvoy Sat 22nd Mar

A Review of Father Ted
A Review of Father Ted

๐—™๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ ๐—ง๐—ฒ๐—ฑ โ€“ ๐—ง๐—ต๐—ฒ ๐—ข๐—น๐—ฑ ๐—š๐—ฟ๐—ฒ๐˜† ๐—ช๐—ต๐—ถ๐˜€๐˜๐—น๐—ฒ ๐—ง๐—ต๐—ฒ๐—ณ๐˜

๐˜ˆ ๐˜ฑ๐˜ช๐˜ต๐˜ค๐˜ฉ-๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฆ๐˜ค๐˜ต ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ข๐˜จ๐˜ฆ, ๐˜ค๐˜ข๐˜ฑ๐˜ต๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ช๐˜ต, ๐˜ค๐˜ฉ๐˜ข๐˜ณ๐˜ฎ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฉ๐˜ฆ๐˜ฆ๐˜ณ๐˜ข๐˜ฃ๐˜ด๐˜ถ๐˜ณ๐˜ฅ๐˜ช๐˜ต๐˜บ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ณ๐˜ช๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ญ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ด๐˜ช๐˜ฐ๐˜ฏ.โ€ โ€“ Boston Globe

From start to finish, this was a masterclass in comedic tributeโ€”a film bursting with laughter, sharp delivery, and an obvious devotion to the original. The cast didnโ€™t just play their parts; they became them, studying every word, movement, and quirk of the real episode with remarkable precision.

Their dedication extended beyond performance; they painstakingly recreated the set, even building an authentic shop within the very kitchen where The Snapper was filmed. If there were an award for the best replication of an original, this would be the undisputed winner. Watching it on the night, the detail was impressive, but seeing it side-by-side with the original while writing this review? The level of accuracy in costumes, props, and mannerisms is astonishing. Iโ€™ve included some pictures to bring the similarity to life.

The camaraderie among the cast was unmistakableโ€”you could tell they had as much fun making this film as the audience had watching it.

Comedy is often overlooked when it comes to Oscar victories, and so it proved here. But while it may not have taken home the top prize, it won where it mattered mostโ€”with the audience, who lapped up every moment. It was no surprise they won Best Comedy Scene, though the real challenge must have been deciding which scene to honour.

๐—” ๐—ฆ๐—ฐ๐—ฒ๐—ป๐—ฒ ๐˜๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ: ๐—ง๐—ต๐—ฒ ๐—›๐˜‚๐˜ ๐—ฆ๐—ฐ๐—ฒ๐—ป๐—ฒ

One moment in particular will live long in the memory.It started with Fupping Man (Bernard Reilly) and Fupping Woman (Rachel Doherty), who were outstanding as they roared their threatsโ€”Rachelโ€™s furious โ€œHit him, Frank, or Iโ€™ll hit him for you!โ€ was pure gold. Just as the tension hit its peak, they called for Mr. Benson. Enter Gordie Miggin, head poking out of a multicoloured childrenโ€™s hut, megaphone in hand, demanding, โ€œWhatโ€™s going on here?โ€ The audience barely had time to recover from their laughter before he leapt into action, executing a full commando-style manoeuvre toward fork-wielding Ted. His approach, complete with a mid-air somersault worthy of Simone Biles, was comedic perfection.

๐—ง๐—ต๐—ฒ ๐—–๐—ฎ๐˜€๐˜ โ€“ ๐—” ๐—Ÿ๐—ถ๐—ป๐—ฒ๐˜‚๐—ฝ ๐—ผ๐—ณ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป

Every lead character embodied their real-life counterpart to a tee.

Fr. Ted (Declan Oโ€™Connor) โ€“ A tribute worthy of Dermot Morgan himself. His hair was the perfect shade of grey, his comedic timing impeccable, and his interactions with the rest of the cast kept us eagerly waiting to see what predicament heโ€™d land himself in next.

Mrs. Doyle (Marian Oโ€™Gorman) โ€“ A class act. Not only did she capture the beloved housekeeperโ€™s manic energy, but her performance elevated the entire production. Had she been in the original Father Ted, she would be just as quoted and beloved as Pauline McLynn.

Fr. Dougal (David Cully) โ€“ No stranger to โ€œacting the maggot,โ€ Cullyโ€™s portrayal was

outstanding. Every nuance was nailedโ€”the rolling eyes, the clueless expressions, the brilliantly daft body language. He didnโ€™t just play Dougal; he was Dougal.

Fr. Jack (Padraig Gravin) โ€“ A show-stealer for many in the audience. With wild, dishevelled hair and an uncanny resemblance to the real deal. His gravelly, chaotic delivery was spot-on, and whether his lines were strictly to script or not, they landed perfectly. You could tell he was having an absolute ball.

๐—ง๐—ต๐—ฒ ๐—ฆ๐˜‚๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜๐—ถ๐—ป๐—ด ๐—–๐—ฎ๐˜€๐˜

Fr. Damo (John Mulraney) โ€“ The rebellious wild-child priest, played with just the right balance of cockiness and mischief. Every flick of the hair, every cigarette toss, every swaggering bob of the headโ€”it was all there.

Fr. Frost (Brian Gravin) โ€“ A brilliant addition, playing the strict and principled priest determined to hold the free-spirited Fr. Damo to account. Gravin brought a commanding presence to the role, delivering Damo straight to Mr. Benson when he realised he had stolen the whistle. His exasperation as he tried to rein in Damoโ€™s wild antics was spot-on.

Mary (Sue McEvoy) & John (Ciaran Meleady) โ€“ The classic water-bucket scene was played to perfection. The immediate shift from violence to pleasantries before snapping right back to a shotgun fight was executed brilliantly. Their physical resemblance to the original characters made it all the better.

Sergeant Hodgins (David Reilly) โ€“ Looked every bit the part, from his uniform to his well-worn moustache, and played the role of the local guard with effortless ease.

Larry Malone & Jamie Reilly โ€“ The ultimate troublemakers, up to all sorts of mischief alongside Dougal and Damo. Their on-screen chemistry was seamless, adding to the chaotic energy.

๐—Ÿ๐—ฎ๐—ฟ๐—ฟ๐˜† ๐——๐˜‚๐—ณ๐—ณโ€™๐˜€ ๐—–๐—ต๐—ฒ๐—ฐ๐—ธ๐—ฝ๐—ผ๐—ถ๐—ป๐˜ ๐—ฆ๐—ฐ๐—ฒ๐—ป๐—ฒ โ€“ ๐—ฃ๐—ฎ๐—ถ๐—ป๐˜€๐˜๐—ฎ๐—ธ๐—ถ๐—ป๐—ด๐—น๐˜† ๐—ฅ๐—ฒ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ฒ๐—ฑ

A minor moment in the episode but a priceless one in this adaptation.

Larry (David Thornton) handled his fateful phone call with carefree charm, while Richard Bradley (Fr. Billy Williams) and Eoin Oโ€™Connor (Fr. Todd Unctious), standing petrified beside him, delivered a masterclass in silent comedy. As the fear on Bradleyโ€™s face built to breaking point, he made a desperate bolt for freedomโ€”a sprint with the urgency of a man running for his life (which, in fairness, he was). His bid for escape ended abruptly, gunned down by Pat Farrell in a moment of tragedy.

What made this scene even more special was the extraordinary effort that went into getting every detail right. The roadblock was meticulously reconstructed, complete with an era-perfect 1992 red Ford and an army truck to match the original. Itโ€™s this kind of attention to detail that elevates the film beyond mere imitationโ€”itโ€™s a perfected recreation.

Checkpoint guards Jack Dalton, Freddie Pollard, and Aaron Gravin rounded off the scene, completing a moment that was more than worth the effort it took to pull off. Aaronโ€™s appearance meant three generations of Gravins starred in the filmโ€”a special moment for the family that will be cherished forever.

๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ง๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜๐˜€

This was more than just a comedy filmโ€”it was a labour of love. A tribute to Father Ted that didnโ€™t just mimic but honoured the original. Every performance was a delight, every detail meticulously crafted, and the audienceโ€™s reaction said it all. They may not have taken home the top Oscar, but in the hearts of the audience, this was a five-star winner!

Gordie Miggin

David Cully

Johnny Mulraney

Marian Oโ€™Gorman and Dec Oโ€™Connor

Dec Oโ€™Connor

Road block scene

Jack Thornton and Richard Bradley

Pat Farrell

Johnny Mulraney and David Cully

Johnny Mulraney, David Cully, Jamie Reilly and Larry Malone

Jamie Reilly and Larry Malone

Rachel Doherty and Bernard Reilly

Rachel Doherty, Dec Oโ€™Connor and Bernard Reilly

Dec Oโ€™Connor

Gordie Miggin

Gordie Miggin

Ciaran Meleady

Bucket scene

Ciaran Meleady and Sue McEvoy

Johnny Mulraney and David Cully

David Reilly and Gordie Miggin

Johnny Mulraney and Brian Gravin

Padraig Gravin

Eoin Oโ€™Connors, Jack Thornton and Richard Bradley


ย 

David Cully, Marian Oโ€™Gorman, Padraig Gravin and Dec Oโ€™Connor

By Susan McEvoy Sat 22nd Mar

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